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Huddie
"Leadbelly" Ledbetter
Birth
Name: Huddie William Ledbetter
Induction
Year: 1989
Date
of Birth: 1/20/1889
Place
of Birth: Mooringsport, LA
Date
of Death: 12/6/1949
Place
of Death: New York, NY
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Former Occupations:
construction
worker
cotton
picker,
farmer
railroad
track liner |
Education:
Grade
School--Lake Chapel School (Texas) |
Career Milestones:
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1903--got
first guitar |
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1912--met
now-famous folk musician, Blind Lemon Jefferson in Dallas; the two
teamed up as an act |
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1933--first
big break came when he was in prison in Louisiana (Angola State
Penitentiary) when Library of Congress folk song expert Dr. John A.
Lomax and his son Alan came to record prison songs and met Huddie;
recorded for the Library of Congress |
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1933--first
recording of "Irene" (later known as "Goodnight, Irene") |
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1934--recorded
again for the Lomaxes' Library of Congress recordings |
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1934--went
on the road with John Lomax, helping him collect more black folk songs |
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1934--performed
in Philadelphia at the annual meeting of the Modern Language
Association (the nation's largest organization of scholars of
literature and language) |
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1934--traveled
to New York City for the first time with Lomax |
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1935--gave
his first informal concert in New York on the evening of New Year's
Day for a gathering of Columbia and New York University professors
and various writers and news reporters |
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1935--signed
a management contract with John Lomax |
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1935--article
on Leadbelly appeared in the Herald Tribune; introduced him to New
York and the world at large and would also be the source of much of
the Leadbelly legend in later years |
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1935--first
radio broadcast--an audition for a guest spot for Rudy Vallee's
radio show, The Fleischmann Hour on NBC |
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1935--signed
record contract with the American Recording Corporation (ARC) |
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1935--starred
in a newsreel based on the story of his life |
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1936--release
of John Lomaxes' book, "Negro Folk Songs as Sung by Lead
Belly" for Macmillan; was considered the first serious,
full-length portrait of a folksinger in American literature |
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1937--began
writing and singing political folk songs |
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1940--performed
at a "Grapes of Wrath Evening," a concert organized by
actor Will Geer to raise money for California migrant workers; held
at a Broadway theater in New York City |
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1940--hosted
radio show, "Folksongs of America" on WNYC in New York |
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1940--recorded
for RCA Victor |
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1941--did
a new series of recordings for Alan Lomax and the Library of Congress |
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1941--began
recording for Moses "Moe" Asch, marking an important
turning point in his life; some of Ledbetter's continued success was
due to Folkways Records (now Smithsonian/Folkways) under Asch's
guidance, who for decades, kept Ledbetter's catalog alive |
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1944-1946--moved
to Hollywood, hoping to find mainstream success |
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1944--recorded
for Capitol Records |
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1949--began
a series of concerts in Paris |
Awards:
1986--Blues
Foundation's Hall of Fame induction
1988--Rock
'n Roll Hall of Fame induction (inducted along with the Beatles, the
Drifters, the Beach Boys, and Woody Guthrie)
Catalog
Highlights
Goodnight
Irene
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Co-writer:
John Lomax
- Artists:
Gordon Jenkins and the Weavers (1950), Frank Sinatra, Red Foley &
Ernest Tubb, Moon Mullican (1950), Leadbelly, Jim Reeves, Johnny
Cash, Nat King Cole, Jerry Lee Lewis, Little Richard, Odetta, Gene Autry
Rock
Island Line
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Artists:
Leadbelly, Johnny Cash, Harry Belafonte, The Weavers, Lonnie
Donegan, Little Richard
Midnight
Special
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Co-writer:
John Lomax
- Artists:
Leadbelly, The Weavers
Cotton
Fields (The Cotton Song)
The
Bourgeoise Blues
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Co-writer:
John Lomax
- Artists:
Leadbelly, Ry Cooder, Taj Majal, Pete Seeger
Comments:
Received
the Award of Merit from the Oklahoma Folklore Society
Got
nickname "Leadbelly" from other field hands because he was
such a fast worker
Has
been called "King of the 12-string Guitar"
After
serving 7 years of a thirty year prison term at Huntsville, Texas'
Shaw State Prison Farm, Ledbetter was released after begging pardon
from the governor with a song ("Please, Governor Neff, be good
'n' kind, have mercy on my great long time...I don't see to save my
soul, if I don't get a pardon, try me on a parole...if I had you,
Governor Neff, like you got me, I'd wake up in the mornin' and I'd
set you free) |